Tori et Lokita

By
Johnny Angel
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0
310
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Tori et Lokita

Director:Jean-Pierre and Luc Dardenne.

Writer : Jean-Pierre and Luc Dardenne.

Awards : 75th Anniversary Prize .Cannes Film Festival 2022

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Cast :Pablo Schils as Tori – Mbundu Joely as Lokita- Charlotte De Bruyne -Tijmen Govaerts- Alban Ukaj- Nadege Ouedraogo- Marc Zinga- Claire Bodson- Baptiste Sorin

Belgium- 2022-French language- 88mins

RELEASE DATES

USA Telluride Film Festival 2 sept 2022

UK   London Film Festival 10 oct 2022

Jean-Pierre and Luc Dardenne have created in Tori et Lokita social cinema that highlights and denounces the injustices rampant in our societies that should not fail to revolt even the hardest hearted amonst us.

Tori and Lokita a young Beninese child and a Cameroonian teenager met on a migrant boat and have formed an invincible friendship. Stranded on the streets of Liege,the Dardenne Brothers show how by the insensitive and indifferent treatment of these children by social services they are forced to deal with the criminal underbelly of smugglers ,drug traffickers and mafia violence.Their exploitation is seen as a social norm and their childhood is crushed by a cruel and frightening violence that is seemingly relentless.

Ten year old Tori as an orphan is able to obtain his residence permit.Lokita a few years his senior pretends to be his sister to create a family bond.They show immense courage held together by their indomitable friendship in the face of the worst that society can throw at them until the film ends in unbearably tragic darkness.

This is not the first time the Dardennes have dealt with the fate of immigrants Le silence de Lorna 2008 and La fille inconnue 2016, a recurrent theme in their work since La promesse, which they revealed in 1996.

Filmed in Belgium in the region of Liège and Condroz, Tori et Lokita has almost all the technical and artistic team of the previous works of the Dardenne brothers including cinematographer Benoit Dervaux and editor Marie Hélène Dozo. The amazing young non-professional cast mixes with experienced actors like the excellent Marc Zinga.

The brothers are already winners of two Palmes d’Or at Cannes for Rosetta in 1999 and for L’Enfant in 2005.

lefrancophile Tori and Lokita

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Johnny Angel
Johnny Angel had the kind of name that belonged on a marquee, but his world was confined to the flickering glow of the silver screen. He wasn't your average film reviewer; he was a maverick, a loner navigating the dark alleys of celluloid dreams. With a fedora that cast a shadow darker than his thoughts and eyes that had seen one too many twisted plots, he sauntered through the city of cinematic illusions. He had a taste for the classics, the black-and-white tales where dames whispered secrets in smoke-filled rooms and men in trench coats chased the truth through labyrinthine plots. Johnny could tell you the difference between a jump cut and a fade-out with a sip of his bourbon, and he'd dissect a director's vision as if he were unraveling a femme fatale's double-cross. His office, a dimly lit room littered with movie posters and a collection of vintage ticket stubs, was his sanctuary. A vintage projector sat in the corner, ready to bring forgotten stories to life, and the scent of nostalgia hung in the air like a fine mist. His fingers danced over the typewriter keys, crafting reviews that were more than mere critiques; they were love letters to a world of flickering emotions. But don't mistake Johnny for a pushover. He'd tear apart a blockbuster with the same gusto he used to praise an indie gem. He had a nose for the nuances, the hidden metaphors, and the whispered messages that filmmakers wove into their celluloid tapestries. He knew when a plot twist was telegraphed like a neon sign, and he could spot a genuine plot revelation like a flicker in a darkened theater. Johnny Angel wasn't just a film reviewer; he was a detective in a world of stories. He'd peel back the layers of a film like he was peering into the heart of a jaded protagonist. He'd find the flaws that others missed, the brilliance that was overlooked, and the moments that left a mark on the soul. In a city where dreams and realities blurred, Johnny Angel stood as a sentinel of truth, revealing the secrets of the silver screen one review at a time. Just like Marlowe, he knew that the world was filled with shadows, but he had the uncanny ability to shine a light on the darkest corners and make them shimmer with the magic of cinema.

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